Estrangers
"Xander."
"Wesley?"
They look at each other, both avoiding empty eyes and thinking the same thing.
It's been a long way down for both of them from the time they knew each other,
and the years haven't been kind.
Wesley doesn't ask why Xander's here in LA, and Xander doesn't ask why Wesley's
alone. Their silence is answer enough for both of them.
And if Xander's thinking of a damning computer screen, a grainy image of Anya
spread beneath Spike, spread for Spike, he doesn't say. He's here to not think
about that for a while, thanks.
And if Wesley's remembering the desperation of waiting for friends who never
come to save him, he doesn't say either. That life has been removed from him by
the pillow that came crashing down over his face with a vampire's strength.
"You've changed," Xander says instead.
"Yes," Wesley says, because there's nothing else to say. He has
changed. Been changed.
"I almost didn't recognize you."
Wesley looks into his drink, because that's where he finds his answers these
days. But the damned scotch is silent for once. "You wouldn't be the only
one," he says instead, because it's true. "I don't recognize
myself."
"Yeah," Xander says, staring at his beer, because while the beer
never has answers, it gives him a little while longer to stop thinking. His
knuckles hurt. "You want to get out of here?"
Wesley shakes his head, and Xander tries not to feel that Zeppo reaction down
in the pit of his belly. "I'm to meet someone here at 8:30."
"It's 8:30," Xander points out, only to find Wesley looking past him,
his eyes taking on whole new worlds of desolation, and then, anger.
A warm hand curls over Xander's, making his bruised knuckles throb, and Wesley
pulls him away from the bar, tossing money at their drinks. "Let's go.
There's nothing more to see here."
But she's in front of them, in front of Wesley, looking down at their joined
hands with a look part skepticism, part knowing amusement. "I see you got
my invitation."
"Lilah," Wesley says, and the way he says it makes Xander think of
British villains, which is weird because: Wes. "Obviously."
She cocks her head at Xander, looking him over from top to toe, and Xander
feels like he's sixteen all over again, and that's in a "loser wearing
Goodwill" way, not a "looks great in Speedos" way. "I
thought the 'come alone' was redundant at this point, but I see you're not much
for taking directions. Kind of ironic, don't you think?"
Wesley's hand tightens on Xander's, and he pushes past her. On the way by,
Xander catches a whiff of perfume, something spicy and exotic, and probably
more expensive than his entire outfit.
"Don't you want to know why I asked you here?" she asks. Xander looks
down, sees perfectly manicured red fingernails clutching Wesley's sleeve,
anchoring them both. Wesley can't shake her off without losing Xander as well.
Wesley doesn't. "No, Lilah. I don't."
But that gives her time to lean in, until Xander can identify her perfume as
Arpege, because he will never forget hanging around fragrance counters with
Anya until he could finally afford it for her. A hundred and thirty bucks for a
teeny tiny bottle, because a good boyfriend buys his girlfriend perfume if he
loves her. And he so does not want to be smelling it on this woman with her
martini and expensive clothes.
"Just look over there," she says, and points. Xander looks so he
won't have to look at her anymore, and sees a girl at the bar looking beaten,
battered, the way he feels. The way Wesley's tensing, Xander knows he sees her
too, probably sees more when he looks at her than Xander does. "I went to
a lot of trouble to arrange this little show for you."
"Good bye," Wesley says, and Xander could kiss him right then, when
Wesley's hand tightens on his, and he pulls him through the crowd, away from
her, away from whatever she says next that Xander doesn't hear anymore.
"Where are we going?" Xander asks, though there's nothing in it;
he'll keep following Wesley through the throng, and Jesus, what's with all the
vampires in there?
"I'm going home," Wesley says, and twists to pin Xander briefly with
his stare, flickers away to Lilah, and back to Xander. "You're welcome to
come with me."
And Xander does, because there's no place else to go.
And he can't get the Arpege out of his head and the hurt out of his chest, and
he needs something, something, and he'll take anything so long as he can
forget.
Xander's not sure when it seemed like such a good idea to lean over and run his
tongue over that bright red line on Wesley's throat. Somewhere around the
seventh beer, unless it was the tenth. But he can't remember what he was
supposed to forget anymore. It seems like a great idea when Wesley's got his
hand on his cock, out and hard, pumping it with those long English fingers and
whispering angrydirty words in his ear. Sounds harsh, like Giles when he's
getting his Ripper on.
Xander only knows that his dick likes it, and his brain's too numbed down to
care, so he goes with it, thrusting into Wesley's hand and drinking down the
sharp metallic tang of his barely healed throat. And shouldn't that be a lot
more gross than it is? But it feels good, rough, sharp, like the calluses on
his hand when he jerks off after a long day working. And he feels the words,
tastes them, and wonders if this is what it's like for Spike when he latches on
to a warm human throat.
No. He's not gonna think about Spike.
Not gonna think about Spike. Not gonna think about Anya. He's getting rough
now; he can tell by the sharply truncated groan under his lips and the way
Wesley's legs are spreading and wrapping him, pants shoved down, and his hand's
bringing Xander's cock down some place Xander's never gone before.
"Fuck! What?!"
And then he's on his back, and Wesley's sinking down on him dry, hot, hard
enough that it hurts and Wesley's pants are stretched tight across
Xander's belly, cutting off his air, and all he can do is thrust up helplessly
and dig into Wesley's thighs and close his eyes, and this he's good at.
Being used. Being ridden hard and put away wet.
But it's never been this dry before, this tight before, all skin dragging
against skin before, and he doesn't even know if he likes it, but he doesn't
hate it, doesn't stop.
And then those long, strong, hot hands are on his throat, squeezing, squeezing
until he's numb everywhere Wesley's not touching him, and where he's touching
him, he burns. And his brain's flying back, back before Anya, back before
basements and shit jobs to stronger hands wrapped around his throat, and he
understands that this time, Angel won't save him.
This time, he doesn't want Angel to save him.
And Wesley's voice has gone all growling until Xander can't even hear the
accent anymore. Something about stolen sons and prophecies and lies. It's all
broken glass and splintered wood, and he's hearing the words a long way away
beyond the roaring in his ears and the lights behind his eyes.
And his dick throbs, aches, burns, and when he comes, everything shatters,
blind, deaf, and dumb, with fire flashing through his veins, burning him quick
from the inside out.
His next breath, indrawn harsh and deep, feels like his first, scraping over
scorched skin and charred lungs. It's loud, rattling, harsh as Wesley's, and as
feeling comes back, the first thing Xander knows is cool-wet-slick. Tears on
his face, come on his belly, and only some of the tears are his. Only some of
the harsh, rough breathing is his.
Somewhere, they lost the words, and Xander only holds Wesley to him hard, and
lets him shake. And if the bruises on his throat are wet with tears that aren't
his, he doesn't say.
It's not Xander's first time waking up to the knowledge that he's let himself
be used.
But it is his first time doing that waking up with the person responsible.
He's not completely sure how he feels about that yet.
But there doesn't seem to be any immediate freaking out happening.
And he's pretty sure that when it comes down to the line, he did his own share
of using.
If he'd paid more attention in English classes, he'd probably have a word for
what happened between them, what feels different, better, more free. And
Wesley's awake. He's smart. He'd know. "What happened?" Xander asks.
His voice comes out like Wesley's, all rough and gravel. Like Wesley's hands
re-shaped him in the night, and made Xander a little more like him.
"Catharsis," Wesley says, and leave it to a Watcher to know the right
word. And answer the right question. "I need a shower. Help yourself to
whatever you like," he says, and climbs out of bed, no kisses, no
caresses, but with a glance that says he's giving Xander's brain the space to
process it all.
"Thanks," Xander says, because he means it. It's hard to think about
Wesley with Wesley right there.
But that's all there's room in his head to think about this morning, and he's
glad. It's like there's a secret little button hidden in his throat. Press it,
squeeze it hard, and click, everything in Xander's life changes.
Wesley's still in the shower when there's a knock on the door. Xander's still
floating in that place where nothing seems like a big deal anymore, so he drags
on his pants and pads through the living room, opening the door on the second
round of knocking.
"I would have called, but I figured you'd only tell me to go to hell
again, so, I thought I'd just take a shot and drop by-" Lilah stops in
mid-sentence, and looks Xander up and down. But this time, he doesn't feel
sixteen anymore. He feels twenty one, and invulnerable. "Okay, who are
you?" She's folding her arms, and tapping a foot, and it makes Xander
smile because it means he's clearly not part of her plan.
He shrugs. "Wesley's in the shower."
And he watches her eyes slide down to his throat, and wants to see his bruises
too. "Are you going to let me in?"
"No," Xander says, and shuts the door on her, walking back to the
bedroom.
"Who was at the door?" Wesley asks, when he comes out in a cloud of
sandalwood steam.
Xander shrugs again, "Nobody important," and takes his first good
look at Wesley in three years. It's then he pins down the change, what's
different about Wesley now; he looks invulnerable too.
Maybe they can't break each other because they've already been broken. And that
feels... good.
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